Treading a thin line between soul and R&B, Robin Thicke’s fifth offering is a lengthy attempt with more than its fair share of ups and downs. Making a name for himself thanks to his sophomore release, 2006’s The Evolution Of Robin Thicke, the arguable classic brought the crooner’s modern day soul-meets-hip-hop musical outlook to the frontline and aided him in becoming a household name. Five years later and he’s still enjoying both love and life.

Describing both the inception and aftermath of a domestic argument, from a lover not a fighter’s perspective, Love After War is a front row invitation in to the life of a man so in love that said love transcends all boundaries regardless of any obstacle in its way. Known also for his unsurpassable commitment to his wife, actress Paula Patton, which at times has been labelled beautifully sickening, the album feels like a reiteration of his love for her - Patton even replays her role as Thicke’s love interest, the first being ‘Lost Without You,’ in the video for the LP’s title track.

While the title track is a smooth serenade with apologetic qualities that could easily be used to practice couples dancing, it’s the Lil Wayne featured ‘Pretty Lil Heart’ that steals the spotlight as far as slow jams go. The light drumming and occasional horn-assist aid Thicke and Weezy in seducing any woman within ears reach. The echoing vocals add an alluring drawl to the song which will appeal to both men and women after just a single spin. 

Side stepping away from the low tempo joints, ‘The New Generation’ is like a mash-up of styles that mirrors something the likes of Brand Nubian, Talib Kweli, and Gil Scott-Heron might produce. Discussing the current generation and everything associated with it, Thicke’s almost politically charged chanting is like something designed to inspire those on the back foot in today’s struggle-heavy climate.

There are times throughout Love After War where Thicke’s doting oversteps the mark and becomes a bit too much. While tracks such as ‘Boring’ and ‘Dangerous’ are drowning in loving innuendoes, it’s actually the last three tracks that will begin to make you feel slightly drowsy. With a track list that stands at 17, a bit more restraint on Thicke’s behalf as far as track inclusion goes would have helped the album’s appeal that bit more. As one of the better soul vocalists of the past five years it’s a bit disappointing to see Thicke choose quantity over quality.

Loosely left at times, Thicke does plenty of right on this release. It’s just great to see him recover from the uncomfortableness that was his rap rammed Sex Therapy. Think classic soul in a heightened relaxed state delivered by one of the few passionate blue eyed crooners left and that’s what Love After War offers. Now where’s Jon B?

Paula Patton frolic on Miami beach...